<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/85">
    <dcterms:title><![CDATA[<em>Done wid Driber's Dribin</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Anonymous]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://babel.hathitrust.org/cgi/pt?id=hvd.hnych3&amp;view=1up&amp;seq=207">Click here to see the score in HathiTrust, from Harvard Library's collections</a>]]></dcterms:source>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 238.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece039]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/84">
    <dcterms:title><![CDATA[<em>Stay in the Field</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Anonymous]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/cu31924066563655/page/n29/mode/1up">Click here to see the score in the Internet Archive, from Cornell University Library's collections</a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Boston: Lamson, Wolffe]]></dcterms:publisher>
    <dcterms:date><![CDATA[1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[William Eleazar Barton, 1861-1930 [compiler]]]></dcterms:contributor>
    <dcterms:isPartOf><![CDATA[<em>Old Plantation Hymns: a collection of hitherto unpublished melodies of the slave and the freedman, with historical and descriptive notes</em>]]></dcterms:isPartOf>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 233.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece038]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/83">
    <dcterms:title><![CDATA[<em>John Brown</em>]]></dcterms:title>
    <dcterms:alternative><![CDATA[John Brown&#039;s Body]]></dcterms:alternative>
    <dcterms:description><![CDATA[As Dr. Southern notes in&nbsp;<em>The Music of Black Americans</em>, the melody used for <em>John Brown's Body</em>&nbsp;was composed by William Steffe, whose name does not appear on this version of the piece.]]></dcterms:description>
    <dcterms:creator><![CDATA[William Steffe]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://www.loc.gov/resource/amss.as106740.0">Click here to see the score in the Library of Congress's digital collections</a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Charlestown, Massachusetts: C. S. Hall]]></dcterms:publisher>
    <dcterms:date><![CDATA[1861]]></dcterms:date>
    <dcterms:contributor><![CDATA[C. B. Marsh [arranger]]]></dcterms:contributor>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 231.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece037]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/82">
    <dcterms:title><![CDATA[<em>Follow the Drinkin' Gourd</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Traditional]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Austin, Texas, Published by the Texas Folklore Society]]></dcterms:publisher>
    <dcterms:date><![CDATA[1928]]></dcterms:date>
    <dcterms:contributor><![CDATA[J. Frank (James Frank) Dobie, 1888-1964 [editor] ]]></dcterms:contributor>
    <dcterms:isPartOf><![CDATA[<p><a href="https://id.lib.harvard.edu/alma/990029043100203941/catalog"><em>Follow de drinkin' gou'd</em></a>. Publications of the Texas Folklore Society no. 7.</p>]]></dcterms:isPartOf>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 131.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece011]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/81">
    <dcterms:title><![CDATA[<em>Is There a Heart That Never Lov'd</em>]]></dcterms:title>
    <dcterms:description><![CDATA[The version of this piece which appears in&nbsp;<em>The Music of Black Americans</em> combines Braham's tune (<em>Is there a heart that never lov'd</em>) and Brown's text (<em>The sweets of liberty</em>) to demonstrate how familiar songs were sung with newly written texts at mid-eighteenth-century anti-slavery meetings in New England.]]></dcterms:description>
    <dcterms:creator><![CDATA[John Bahram]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://www.loc.gov/item/2014565836">Click here to see the score in the Library of Congress digital collections</a><br /><br /><a href="https://babel.hathitrust.org/cgi/pt?id=mdp.39015009651632&amp;view=1up&amp;seq=23">Click here to see William Wells Brown's anti-slavery alternative text in HathiTrust, from the University of Michigan's collections</a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Wm. Dubois]]></dcterms:publisher>
    <dcterms:date><![CDATA[1817]]></dcterms:date>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 127.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece010]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/80">
    <dcterms:title><![CDATA[<em>Zip Coon</em>]]></dcterms:title>
    <dcterms:alternative><![CDATA[Coony in de Hollar]]></dcterms:alternative>
    <dcterms:description><![CDATA[As Dr. Southern notes, other titles for this song include <em>Turkey in the Straw</em>, <em>Coony in de Hollar</em> and&nbsp;<em>Opossum Up a Gum Tree.&nbsp;</em>]]></dcterms:description>
    <dcterms:creator><![CDATA[Anonymous]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://www.loc.gov/item/sm1834.360780/">Click here to see the score in the Library of Congress's digital collections</a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[New York: Thos. Birch]]></dcterms:publisher>
    <dcterms:date><![CDATA[1834]]></dcterms:date>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 120.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece009]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/79">
    <dcterms:title><![CDATA[<em>Give Up the World</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Anonymous]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://nrs.lib.harvard.edu/urn-3:fhcl.hough:100555130?n=83">Click here to see the score in Harvard Libary's digital collections</a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[New York: A. Simpson]]></dcterms:publisher>
    <dcterms:date><![CDATA[1867]]></dcterms:date>
    <dcterms:contributor><![CDATA[William Francis Allen, 1830-1889;  Charles Pickard Ware, 1840-1921; Lucy McKim Garrison, 1842-1877 [editors]]]></dcterms:contributor>
    <dcterms:isPartOf><![CDATA[<em>Slave Songs of the United States</em>]]></dcterms:isPartOf>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 92.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece008]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/77">
    <dcterms:title><![CDATA[Metrical version of Psalm 19]]></dcterms:title>
    <dcterms:description><![CDATA[The&nbsp;<em>Bay Psalm Book&nbsp;</em>(complete title: <i>The Whole Booke of Psalmes Faithfully Translated into English Metre</i>) is a metrical psalter<span>&nbsp;first printed in 1640 in&nbsp;</span>Cambridge<span>,&nbsp;</span>Massachusetts<span>. It contains no melodies, only texts, but this excerpt is included here because Dr. Southern devotes several paragraphs to it in <em>The Music of Black Americans.&nbsp;</em></span>]]></dcterms:description>
    <dcterms:source><![CDATA[<a href="https://www.loc.gov/item/71002405/">Click here to see the book in the Library of Congress's digital collections</a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[[Cambridge, Mass.: Imprinted by S. Daye]]]></dcterms:publisher>
    <dcterms:date><![CDATA[1640]]></dcterms:date>
    <dcterms:contributor><![CDATA[John Cotton et al.]]></dcterms:contributor>
    <dcterms:isPartOf><![CDATA[<cite>The vvhole booke of Psalmes faithfully translated into English metre. Whereunto is prefixed a discourse declaring not only the lawfullnes, but also the necessity of the heavenly ordinance of singing Scripture Psalmes in the churches of God</cite>]]></dcterms:isPartOf>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 32.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece007]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/76">
    <dcterms:title><![CDATA[<em>In That Great Getting-Up Morning</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Anonymous]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://hdl.handle.net/2027/uc1.31822017709924?urlappend=%3Bseq=74%3Bownerid=9007199275389243-98">Click here to see the score in HathiTrust, from the University of California San Diego library collections</a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Boston: Oliver Ditson]]></dcterms:publisher>
    <dcterms:date><![CDATA[1887]]></dcterms:date>
    <dcterms:isPartOf><![CDATA[<em>Jubilee and plantation songs: characteristic favorites, as sung by the Hampton students, Jubilee singers, Fisk University students, and other companies</em>]]></dcterms:isPartOf>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 219.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece036]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://www.musicinmoba.harvardmusiclib.share.library.harvard.edu/items/show/75">
    <dcterms:title><![CDATA[<em>In That Great Day</em>]]></dcterms:title>
    <dcterms:creator><![CDATA[Anonymous]]></dcterms:creator>
    <dcterms:source><![CDATA[<a href="https://archive.org/details/cu31924066563655/page/n46/mode/1up">Click here to see the score in the Internet Archive, from Cornell University Library's collections</a>]]></dcterms:source>
    <dcterms:publisher><![CDATA[Boston: Lamson, Wolffe]]></dcterms:publisher>
    <dcterms:date><![CDATA[1899]]></dcterms:date>
    <dcterms:contributor><![CDATA[William Eleazar Barton, 1861-1930 [compiler]]]></dcterms:contributor>
    <dcterms:isPartOf><![CDATA[<em>Old Plantation Hymns: a collection of hitherto unpublished melodies of the slave and the freedman, with historical and descriptive notes</em>]]></dcterms:isPartOf>
    <dcterms:isReferencedBy><![CDATA[Eileen Southern, <em>The Music of Black Americans: A History</em>. First edition. New York: W.W. Norton &amp; Company, 1971, 211.]]></dcterms:isReferencedBy>
    <dcterms:identifier><![CDATA[piece035]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
